Holiday wishes to you and yours.

We wish you a Merry Christmas!

And so do the Arctic Monkeys.

When it comes to U2 you never know what's next

If there are any U2 fans on your holiday gift list, I'm sure you've already picked up their copy of "U218: Singles", the latest single compilation album from (dare I say) one of the greatest rock bands ever.

Off this new release, U2 plucked off "Window in the Sky" for a music video make-over. The video is a masterpiece of vintage footage and amazing sync work. Whoever was in charge of the editing deserves some sort of prize.



Buy U218:Singles on iTunes

A duel for the hipster history books

It was plastered across the blogger underground for weeks. A battle of the underdog kings: The Decemberists vs. Stephen Colbert.

It started with a simple music video challenge (or did it start with a green screen lightsaber challenge?) and escalated to the climactic confrontation that ends tonight.

Tonight. Wednesday December 20, 11:30 PM EST. Comedy Central. The Colbert Report. The Decemberists vs. Colbert in a (supposed) guitar/musical instrument challenge.

I know what I'll be doing then. (Or half of what I'll be doing. I like to multi-task)

Any excuse not to pack for the holiday is a good one in my book.

It's Lookin Like A Killer Christmas (pun alert)

Today, The Killers released the video for their, oh so spectacular, Christmas charity single "A Great Big Sleigh". The video seems to be a grainy collection of studio footage dotted with some mind-blowing dance moves from Mr. Flowers. If this whets your appetite, check out the interview with Brandon about the single for a laugh or two. (I like chocolate with almonds just like he does. How neat.)



As a bit of a side note, today was the first day that it actually felt like Christmas. It's a wonder what a grey day in New york can do for the holiday spirit.

At least they stick to their guns. (Their Holiday guns)

If there is one thing to be said about The Killers it's that they are not afraid to commit. Despite the luke-warm response to their new "Roots-y" sound, when these boys decide to change their style, they are noble enough to commit, and commit hard. There is no better example of this dedication, than their new charity holiday single (and yes, I did say Holiday) "A Great Big Sleigh".

I love holiday music. I especially love new, high-quality holiday music (key words being high-quality). Last year, remixes took the stage as the "Christmas Remixed" albums stuffed stockings around the nation. This year, I see the rise of Indie in the holiday forecast. With releases from super-boy Sufjan Stevens (5 discs no less), The Kinks ("Father Christmas" single released today), and even Goldfrapp lending their talents to Target ads, indie bands are slowly creeping into yet another aspect of the music industry (is there anything left that indie hasn't taken over?) So who else would be more fitting to extend their reach into holiday tunes than The Killers? Their new single (released today over iTunes) benefits the (RED) Campaign, and features additional vocals from Toni Halliday.

When I first heard the track, what immediately struck me was the similarity the intro had to the 'Sam's Town' title track. Both entered with a whimsical line to introduce the tune, followed by a driving guitar on the beat supported by the keyboard and drums. To extend the continuity from thier new album, Brandon Flowers contributes his new signature vocals which manages to make the new single seem like a desperate plea from Flowers for a good holiday season. The entire package is delicately bowed with Toni Halliday's airy angelic vocals which juxtapose Flowers nicely (oddly enough). I advise hardcore Killers fans (so me.) to look into this single, but don't expect to be surprised. It's good. But like Sam's Town, nothing you'd kill for. (no pun intended.)(alright it was a little intended)

The single is up on iTunes and 100% of the procedes go to (product)RED so no freebies here. (Its a buck. for a darn good charity. come on) The video is up Dec. 7th on Yahoo Music. Head over to the bands' official site to see an interview with Brandon on the new holiday single.

The Killers - A Great Big Sleigh

The Killers Official Site
(RED) Campaign website

New Looks, New Ideas, New Year? (hopefully before then)

As you can obviously see (and one noble visitor has already noted) we here at the newly re-named Wayward Measures are under construction. I hope to have the complete site up and running soon (if I can get a hang of this new form of blogger). You can however, be sure that I'll soon have new posts rolling in at speeds equal to that of the money rolling out of my wallet for holiday gifts.

In the meantime, I highly recommend the new Oasis best-of compilation ("Stop the Clocks"), and the movie "The History Boys".

Enjoy.

An album review: The Shins - Wincing The Night Away

It is no secret that I am madly in love with Zach Braff (He's JD for god's sake!). In fact, anyone who walks into my kitchen can immediately see proof of my room's devotion in the form of his picture on the wall. Because of this adoration, it is also true by the transitive property that I love The Shins.

Alright, this isn't entirely true seeing as I discovered the magic of the band about a year or so before Mr. Braff was anything more than "that funny medical intern on TV." However, their role in Garden State did cement my fan-hood for good.

Judging by their sold-out CMJ show, their (almost) daily headlines in all the 'cool' music trades (catch them on the cover of the latest issue of Filter with my favorite man from The Office, John Krasinski), and their constant new features on iTunes (I wonder what this week's exclusive single will be?), most people already know all they need to on the band, so I'll spare the details. Instead all I'll say is that The Shins have a new album. It's called "Wincing The Night Away". And I'm here to review it.

I've given myself a good month or so with this album so I think I've got a pretty good feel for it.

My initial response to the album was that it was good, dare I say great. Stand out tracks include: "Australia", "Girl Sailor", and "Phantom Limb". The Shins are pros at light and airy music that hides a deeper weight, and they do not fail on their latest release. This new batch of tunes are sprinkled with simple yet elegant melodies, floating piano accents, and those unique vocals we all know so well. However, as much as I wanted this album to simply be "another great album", I started to notice a lack of continuity between tracks. Alone, each song appeals to me, while still sounding like The Shins we love; strung together, the albums lacks the feel of a true 'album'. Wincing the Night Away feels more like a compilation of extra tracks, than a standard LP. I think this aspect of my opinion is best summed up at this blog.

Don't get me wrong however, I do enjoy the album thoroughly, and would give it something like 7.5/10 if I had a standardized rating system. Seeing as I don't, I'll give it a gold star.

The Shins - Phantom Limb (Single)

The Shins Official Site

Sucks.

Thanks to my introduction into the effects of copyrights on the music industry (thank you higher education.) I can now see the implications of something as monumental as this.

(I'm trying to decide if this knowledge is either a good thing, or something terrible)

On one end of the copyright issue, if the copyrights on the songs fail to extend past the current 50 years, (thus ending in 2013) the Beatles and Rolling Stones libraries would be commonplace, and thus available to anyone. This would further the music's exposure in the world (not to mention it's likely impact on advertising revenues). However, if the bands' remaining members and their estates succeed in extending the copyright duration, it would most likely affect the whole of the UK copyright market. This would be especially true if they were aiming to extend it to 95 years. This would bring the UK inline with the US laws and (like here with the Sonny-Bono copyright act) inevitably change the entire music industry with its effects on royalty payments.

Tough stuff. I'm curious to see how this all plays out. I'm all for the bands to continue getting paid for the usage of their songs (considering that it is their work, and they are entitled to a share) However, when it comes to copyrights, there are lines that are drawn that are hard to cross or redraw without a ripple effect on every art form they protect.

NME.COM - News - Bands lose battle to extend copyright on their songs

FINALLY!

Tomorrow night (Nov. 1), at Harmony Palace Restaurant, the NME announced that they will be holding it's first Club NME night.

Hooray!

The Horrors, CSS, and The Office are set to open, and there is a contest at the NME.com to get on the guest list.

Let's get our groove on.

Post Numbah 70

Have I really written that much?

I guess not, a lot of it was garbage and links.

On a much more random note, I am completely shocked (In the best of best ways possible) at the prominence of Dirty Pretty Things both abroad and at home. They are frickin' everywhere. From mtvU, to magazine racks around the city, to the Ben Sherman store down in Soho (no, I have not actually BEEN there, but I've heard things).

I have two things to say about this:

1) Bravo boys, you've got talent and I'm glad the world is finally promoting someone that isn't complete shite.
2) Bravo publishers and label. You seem to have the whole exploitation thing down to a "T"

The latest single, "Wondering" was recently released in the UK, and though it wasn't my personal choice for the next single ("Doctors and Dealers" anyone?) the track was definitely in my top picks.
The song opens with a note from the bass, and then a driving guitar line that isn't unfamiliar to Mr. Barat and company. The initial intro is then followed immediately by a riff that rises up and down like a sine curve (I hate calculus). It was that guitar riff that immediately hooked me on the song, and threw me (and you undoubtedly??) right into the chorus where the silky smooth

(not really...I'll say distinguishable)

vocals of Carl Barat talk of love after a dry spell. The band then takes you through the rest of the equally brilliant song with the air of pros.



(Here's the video for you! Ohhhh those boys.)

I could dote on this band forever.

They're also probably the best looking band I've ever seen. (we all love the rugged brit boy look) (don't judge me, the libs are my life) AND LOOK they have a heart! (Carl is also known for his active participation in the community)




Don't deny they're awesomeness.

DIRTY PRETTY THINGS OFFICIAL SITE (it's separated into countries. Thats what I call hardcore AND smart)

Alright. I know. I need sleep. Midterms are a bizch indeed.

And this is just unecessary.

Ambitious little buggers arn't they?


NME.COM - News - Panic! At The Disco release box set

Not emo huh?

I don't believe that for a second.

NME.COM - News - Panic! At The Disco declare emo "Bullshit!"

The (Rock) Concert Guide to Etiquette

So I'm making this webpage for my class. It's kinda lame. But I like it. I feel like the 'rules' of concert behavior have been unwritten for too long.

So I'm doing something about it.

Presenting.....The (Rock) Concert Guide to Etiquette!

Let's all link to it and get me a good grade!!!


The (Rock) Concert Guide to Etiquette

Now here's something.

Have you heard of The Kooks? If you haven't, you should get out from under that rock and check these boys out. Hailing from the UK (obviously. What else do I talk about) The Kooks have already gone triple platinum in their home country, and are starting to invade the US with their unique brand of catchy brit rock. Following in the steps of those already prominent in the US (Bloc Party, Dirty Pretty Things, etc) this band have caught the wave from England and are riding it into the US market in a big way. Most recently, the boys have been an impressive feature on MTV's "You Hear It First" hailing their recent accomplishments, as well as sold out tour dates across the US and UK. I remember hearing their demo for 'Eddie's Gun' on Radio 1 a year or so ago and knowing that they would hit it big, but I never anticipated this level of popularity. The Kooks have just released their first record "Inside/In, Inside/Out" in the US, and I highly recommend a listen. Ooh La La indeed.

MTV "You Hear It First" - The Kooks
The Kooks Official Site

Finally.

Watching mtvU every morning (like I always do), I was ecstatic to see that one of our old old favorites, ¡Forward Russia!, was featured as one of the 5 upcoming artists to watch. On top of that, the so called, "judges" (3 college students) were really quite favorable towards it.

Thank God. I've been watching them for hmm...2 years now at least, and there are few that compare to ¡Forward Russia! in energy, enthusiasm, and clever brilliance. Bravo!

Now I'm exponetially more excited for the show next month.

Oh, and they also featured Tapes n Tapes, also great.

I'm starting to get excited.

This week, BBC Radio 1 has begun to incorporate tracks from The Killer's upcoming album, 'Sam's Town' into their playlist. Wed. saw the unveiling of the next single off the album (not to mention the highly anticipated video from notorious film director Tim Burton) on Zane Lowe's show. Response to this song was so positive, they played it twice. (as is sometimes custom for these shows. Though this time, unlike "When You Were Young," they didn't play it twice in a row)

Based on what this scenster has heard ('When You Were Young,' 'Bones,' and 'Sam's Town') The Killers have most definitely maintained their immense sound, however, many other aspects of their songwriting have definitely changed. The songs are far more epic, in my opinion, and though still containing the infamous glittering synths, the music is no longer as obviously 'Pop'. The Killers have seemed to tap into a more rooted sound; the sound is more raw, but it still glitters on top.

BBC - Radio 1 - Home

Shhhhh it's a secret....unless you look at the front page of thier website..or the NME.com...or ticketweb.

The Killers are having a 'secret' show in NYC this friday. (Huzzah!) And just when you thought that was enough excitement to get your juices flowing, guess where it's going to be?

No, not some large scale stadium like thier usual shows.

Webster Hall.

This is going to be awesome. The only thing better than seeing the Killers live, is seeing them live in an intimate(er) setting.

I think there are still some tickets left, but check ticketweb soon because I'm sure this 'secret' won't be a 'secret' for very long.

Ticketweb.com

The Killers Official Site

Banned? Really?

So The Horrors wrote this song. They called it "Sheena was a Parasite". Chris Cunningham agreed to do a video for said song. Academy award nominated actress Samantha Morton also decided to join in on the little project. Eventually, after days of shooting and lots of rotting squid, the video was completed and everyone was quite pleased.

The Horrors were pleased because it meshed well with both the feeling and mechanics of the song.

Chris Cunningham was pleased because it once again pushed the envelope of promo making.

Samantha Morton was probably less pleased, (though still content) because she had to endure the stench of rotting squid on her flesh.

However, MTV was not pleased.
In fact, MTV decided to ban the video from network airtime. I personally feel that this was a ridiculous decision. True, the video is dark, and true, it toes the line of being 'graphic'. But all that aside, I see far more disturbing images on cable television. Take Nip/Tuck for example. Fantastic show, but in order to be edgy, it adds disturbingly real images of plastic surgery. This video deals in obvious fantasy, and thus can be taken quite lightly. However, with reality television, and increasingly realistic shows on network television, the realization of the proximity to reality is far more disturbing than fantasy ever could be.

Check it out, tell me what you think, you know the drill.



The Horrors - Sheena was a Parasite mov (Dir. Chris Cunningham)

The Horrors Myspace Page
Chris Cunningham director's file (good source of other works)
Nip/Tuck Official Site

A Lizard? Really?

The NME's standards for thier online articles seem to be slipping.

NME.COM - News - The Killers get a visit from unwanted guest

I love this band.

One of the most enjoyable new bands have announced their debut LP. The Holloways have revealed the tracklisting and release date for their album "So, This Is Great Britain". The album is preceded by their newest single, 'Generator' (no release date yet) and will appear in all good UK stores on October 30, while concurrently in overpriced import bins in the US on the same day.

The tracklisting for "So, This Is Great Britain" is:

'So, This Is Great Britain'
'Generator'
'Dance Floor'
'Fit For A Fortnight'
'Two Left Feet'
'Re-invent Myself?'
'Most Lonely Face'
'Malcontented One'
'Happiness and Penniless'
'What's The Difference?'
'Diamonds And Pearls'
'Nothing For The Kids'
'Fuck Ups'

I love The Holloways. I was previously introduced to the band through a good friend of mine and was instantaneously hooked on their catchy, carefree, and generally fun style. The band takes an optimistic stand on their lyrics, and effortlessly combines 60's/70's punk with their own modern sound.

"I don't live in poverty, I got a little bit of money, and I've got a healthy body. I'm not going to let stuff get me upset, and I won't let the little things get me depressed" - Generator

Not limiting their fun to their music, this unique band has also been featured in 'Angling Times' (a sport fishing magazine) for their skill with a fishing line, and regularly has "Activity Mondays" involving weekly sporting events from cricket to 'who can chuck this badminton racket the farthest'.

I dare you not to dance around to this band. I DARE YOU.

NME.COM - News - The Holloways reveal debut album

The Holloways - Generator
The Holloways Official Site

He makes me want to visit different States.

That magnificent songwriter who took on the national task (pun intended) of writing an album for each of the 50 United States, Sufjan Stevens, has decided to release another plethora of undoubtedly brilliant songs.

According to the NME.com on Tuesday, and his label, Asthmatic Kitty Records, Stevens announced that a special Christmas themed box set entitled "Songs for Christmas" will be released on November 12.

Just in time for holiday shopping, and the perfect gift for any Sufjan Stevens/Music appreciator. HINT (like a certain scenester?)

The 5 individually packaged EP's (recorded between 2001 and 2006) will include such exciting extras as personal essays, artwork, lyric and chord sheets, AND STICKERS. (everyone loves stickers)

The Tracklist for "Songs for Christmas" is as follows:

Noel: Songs for Christmas, Vol. I (recorded December 2001)
'Silent Night'
'O Come O Come Emmanuel'
'We're Goin' To the Country!'
'Lo How A Rose E'er Blooming'
'It's Christmas! Let's Be Glad!'
'Holy Holy, etc.'
'Amazing Grace'

Hark!: Songs for Christmas, Vol. II (recorded December 2002)
'Angels We Have Heard on High'
'Put the Lights on the Tree'
'Come Thou Fount of Every Blessing
'I Saw Three Ships'
'Only at Christmas Time'
'Once in Royal David's City'
'Hark! The Herald Angels Sing!'
'What Child Is This Anyway?'
'Bring A Torch, Jeanette, Isabella'

Ding! Dong!: Songs for Christmas, Vol. III (recorded December 2003)
'O Come, O Come Emmanuel'
'Come on! Let's Boogey to the Elf Dance!'
'We Three Kings'
'O Holy Night'
'That Was the Worst Christmas Ever!'
'Ding! Dong!'
'All the King's Horns'
'The Friendly Beasts'

Joy: Songs for Christmas, Vol. IV (recorded December 2005)
'The Little Drummer Boy'
'Away In A Manger'
'Hey Guys! It's Christmas Time!'
'The First Noel'
'Did I Make You Cry On Christmas Day? (Well, You Deserved It!)'
'The Incarnation'
'Joy To The World'

Peace: Songs for Christmas, Vol. V (recorded June 2006)
'Once in Royal David's City'
'Get Behind Me, Santa!'
'Jingle Bells'
'Christmas in July'
'Lo! How A Rose E'er Blooming'
'Jupiter Winter'
'Sister Winter'
'O Come O Come Emmanuel'
'Star of Wonder'
'Holy, Holy, Holy'
'The Winter Solstice'

If these albums are anything like his previous releases (including the acclaimed and award wining Illinois) This extensive box set will be an invaluble Christmas collection.

Sufjan Stevens is a personal favorite of mine and is recommended for anyone that enjoys the indie or songwriter movement of today. Stevens has a unique talent in creating creative and complexly orchestrated songs with haunting and enjoyable melodies. Check out this future release and all his others and you won't be disappointed.

NME.COM - News - Sufjan Stevens to release Christmas album
Asthmatic Kitty Records Website and Sufjan Stevens information

Congrats boys!

Congrats again to the Arctic Monkeys on their win.

But more importantly, Alex Turner cut his hair.

Thank god.

I mean who else would win?

In a completely unsurprising win (to me anyways), The Arctic Monkeys picked up this year's Mercury prize last night. The boys' debut LP, 'Whatever People Say I Am, That's What I'm Not' has already broken a number of sales records, and has become one of the most critically acclaimed albums of the year.

Other artists and albums nominated for this prestigious award include:

Arctic Monkeys - 'Whatever People Say I Am, That's What I'm Not'
Isobel Campbell and Mark Lanegan - 'Ballad Of The Broken Seas'
Editors - 'The Back Room'
Guillemots - 'Through The Windowpane'
Richard Hawley - 'Coles Corner'
Hot Chip - 'The Warning'
Muse - 'Black Holes & Revelations'
Zoe Rahman - 'Melting Pot'
Lou Rhodes - 'Beloved One'
Scritti Politti - 'White Bread Black Beer'
Sway - 'This Is My Demo'
Thom Yorke - 'The Eraser'

Personally, I feel that The Arctic Monkeys completely deserve this honor previously won by the likes of Antony and The Johnsons for the album 'I Am a Bird Now' (also a very good album). The band put together a staggering line up of songs, each with a style that brings together the past and present while sounding completely their own. The subject matter of the album is also relateable by all generations, and though it might not be the best representation of British (and if fact all) teenagehood, certainly ranks among the best of them.

Upon winning the award the band appreciatively said: "Good tunes is what we try to do and no tricks, really."

Bravo boys, you certainly deserve it.

NME.COM - News - Arctic Monkeys win 2006 Mercury Music Prize
Mercury Award Website

Buy 'Whatever People Say I Am, That's What I'm Not' on iTunes

I guess they aren't going to wait a year

Our favorite Mancunian brothers have decided to release, or should I say re-release their song "Acquiesce" as a single on September 12th. This single serves as a precursor to their upcoming 'Stop the Clocks' album (date still not released. Come on boys, I'm going into Oasis withdrawals.)

'Acquiesce' is one of my favorite Oasis tracks, and truly shows their prowess as a band. As to why they have only released this gem of a track as a B-side to their single, 'Some Might Say' I don't know. However, I am anticipating the formal release of this brilliant song.

This tune alternates between each Gallagher brother on vocals (supposedly because Liam couldn't hit the high notes) and though they deny it, seems to illustrate the relationship between the two brothers in poetic fashion.

"Because we need each other, we believe in one another, and I know we're going to uncover, what's sleeping in our souls."

I'd check out the song, and I also recommend the "Wibbling Rivalry EP" for a real insight into the Gallagher brothers' true relationship. (An actual chart topper. 15 minutes of arguing. Top notch stuff.)

NME.COM - News - Oasis to release new single
Oasis - Wibbling Rivalry EP

Buy Wibbling Rivalry EP on iTunes

I definitely wouldn't say this is the "Best video in 20 years", but not bad.

The newest video from our favorite (or mine at least) Las Vegas natives, The Killers, premiered on Sunday in the UK and already it's been beaten nearly to death. True, I do not agree with Brandon Flowers' VERY bold statements, (nor his facial hair style), however, it is a good video for a band that started out dancing in a desert.

The video is for their newest single "When You Were Young," which will come from their highly anticipated new album, "Sam's Town". The song itself provides a pretty direct narrative of the basis for the video, however, the band takes in interesting approach to this song by making the video distinctly Spanish. I give it my approval, but before the song's reputation is destroyed by the radio, give the video a view and judge for yourself.

Fetch Me Some Music: The Killers - When You Were Young (Video)

They finally get what they deserve.

I've been waiting for one of those promiscuous girl groups to get what's coming to them for a long, long time. I just don't understand how women bouncing around in their underwear sets a good example for our youth. Bravo Malaysia, you got the worst one out there: horrible role models with intolerable songs.

NME.COM - News - Pussycat Dolls cause controversy in Malaysia



no offense.

Questions with anticipation, or Teetering on the fence.

For any normal individual, shining while in the shadow of one's parents is hard enough. Surpassing that shadow to create your own seems even harder. Imagine then (no pun intended) the struggle that Sean Ono Lennon must endure, to make a name for himself.

So far, the already famous Lennon has one, less than successful album release under his belt, however, come September, Sean Lennon will attempt to prove himself once again as more than his father's son.

"Friendly Fire", Lennon's newest album, seems to carry a sound that both proves true to his father's beautifully poetic style, and yet stays loyal to his own, more modern sound. Sean's vocals as portrayed by this album, echo his father's in a slightly higher pitch, however, the 8 years since his last release have truly proven necessary in creating an album that draws few parallels to his late father, or even his successful mother. Tracks like "Dead Meat" for example, exhibit Sean's lyrical skill, while still preserving the tragically poetic melody that he has seemed to master.

Buzz around this album suggest two outcomes for its popularity: Widespread adoration, or acknowledged as a good effort, yet still too similar to his father. Personally, from what I have heard, I lean more towards the first outcome. Time and talent have created a definite distance between Sean, his parents, or his brother. Look for his album on shelves September 26, 2006 boasting a short film for each track, and in the meantime, check out his Myspace or website for audio samples, and the album trailer featuring Bijou Phillips, Lindsey Lohan, Carrie Fisher, and Devon Aoki.

Friendly Fire tracklisting:

1. "Dead Meat"
2. "Wait for Me"
3. "Parachute"
4. "Friendly Fire"
5. "Spectacle"
6. "Tomorrow"
7. "On Again, Off Again"
8. "Headlights"
9. "Would I Be the One"
10. "Falling Out of Love"



Sean Ono Lennon's Website
Sean Ono Lennon's Myspace Page

The definition of 'highly anticipated' or, Brandon Flowers needs a shave.

So, if you've been paying attention to the 'blog buzz' or any sort of musical headline, you are well aware of the eagerly awaited sophomore album from Las Vegas natives The Killers. The single has already begun to make its usual rounds on the intranet and as expected (me being an ever faithful Killers fan) I've got my hands on it and am ready to deliberate.

The first song to be exposed off their new album "Sam's Town" (to be released on Oct. 2, and named for a casino from their hometown claims the NME) is called "When You Were Young" and will be released as a single on Sept. 18. The song itself seems very different from their dance/pop debut album from the start. Brandon Flowers' infamous jeweled synth is nowhere to be found in the opening chords, and instead, a soaring guitar riff leads into the ever-familiar vocals. As the song progresses, it initially seems to lack a coherent structure, though through time, the organization becomes clearer. As previously announced by Flowers, there is definitely a Bruce Springsteen feel to this song, and the influence can especially be noted occationally in Flowers' warbled and trademark vocals. All in all, I already can't get the song out of my head, and will most likely be found humming the tune while riding the subway tomorrow. I apologize in advance to whoever is subjected to that torture.

The Killers - When You Were Young

The Killers Official Site
NME.com article on the new album

Like I was never gone, Or, I always find this sound in the summer.

As one who can boast to friends and family about jumping on the Strokes bandwagon early on, I will always have an affinity for both the band, and their lo-fi, back to basics, sound. As a result, when stumbling upon another seemingly random friend request from a Spanish band called The Blows, I was immediately ensnared by their mastery of the same musical formula. Combining a sound that quickly draws comparisons to that of The Strokes on their track, "Leaving this Town", The Blows come close to another 'Strokes copycat band brush-off'. What keeps the listener enthralled however, is a sound that echoes other prominent Indie innovators, making The Blows' music, in a sense, all their own. In the track, "We Want You" for example, the band bear a resemblance to fellow Indie forerunner, Franz Ferdinand. However, by exploring their music further, the influence of the Arctic Monkeys, and Interpol are also evident.

The Blows is a four-piece outfit from the "Spain" area (according to their Myspace profile). Dressing as hip as the music they perform, The Blows fit right into the modern music/fashion scene. Though sung in what seems like butchered English, the band prides itself on songs featuring a prominent bassline, carelessly passionate vocals that recall a mix between Ian Curtis and Julian Casablancas, playful guitars that pepper both the foreground and the background with a nonchalant air, as well as catchy melodies you know you could (and probably will) dance to.

The musical formula, in theory, is flawless for this hip band: Become equal with the modern innovators today, by taking a little from each one. This indie super-concoction is volatile however, and unless The Blows continue to play their cards right, the fragile balance they have created so far, may end up blowing up in their faces.

My verdict: I enjoy what they have done so far, however, the success of the band depends on their willingness to experiment and expand on their current sound. The foundation for success is sturdy enough, but the true test lies in where they go from here.

The Blows Myspace Page

It's always a messy affair with Pete.

If you are able to use the Overdrive service on MTV UK, you are one of the lucky few (In the US that is. If you live in the UK then you get to see this all day every day. Why you would want to, I'm not quite sure.) who can witness the latest antics of our favorite wayward musical genius. It was reported yesterday that during a recent MTV.com interview, Pete Doherty shot a syringe full of blood at the camera. The crew was left to clean thousands of pounds worth of camera equipment before Pete and Babyshambles bandmates could be properly interviewed. I don't even know what to think of this man anymore.

Full details here:

MTV.com
MTV.com UK
NME.com

Look who's making a comeback.

True, they did say that they weren't finished making music back when Gwen Stefani decided to go solo, but I'm still surprised at the comeback of No Doubt. Talking to MTV.com, the group said:

"(We're) kind of just going in and writing here and there. Right now, it's all about the music and being as creative as possible."

Seems innocent enough. But wait! One question still ran frantically around my mind: Will Gwen Stefani be joining in on this party? The answer: Not yet. Seems as if she is going to join in on the creative process a little later, seeing as she is in the late stages of her pregnancy.

So are you excited about the new No Doubt record? Personally, I am a little skeptic and don't have high hopes. The last record was a major let down for me (I'm more of a Tragic Kingdom fan) and I won't even get started on how much I despise that Gwen Stefani album (fucking B.A.N.A.N.A.S..). We'll see...

Here's some classic tracks I still enjoy:

No Doubt - Just A Girl
No Doubt - Bathwater
No Doubt - Spiderwebs
No Doubt - Don't Speak

MTV.com
NME.com (full details of return here)
No Doubt Official Site

Grab it while it's hot!

Oh my god everyone, drop whatever you are doing RIGHT NOW and listen to this: Hanson is releasing another CD. I kid you not (check the little CD release thing on the side of this very page). On the 16th of May, those 3 infamous boys drop another record. "HELL YEA," that's all I have to say on that.

Personally, I havn't listened to any of thier albums (save some songs off thier first brilliant piece of musical genius), but they spoke at NYU this year, and if they're still releasing albums they must be sort of good right?

Alright, I'll stop being creul and sarcastic (for now) and at least give you a link to Amazon.com so you can search for it and support their cause. (I would've uploaded it here to save you both time, money, and energy, but I feel like they need your support far more than I do)

I'm back.

After one of the worst 12 hour flights of my lifetime (my seat-back would not stay in the upright position) and some of the most boring days of my lifetime (when you can't go to the beach in Hawaii, things tend to get dull), I finally make my return. (HUZZAH!)

In a post yesterday on the NME.com, it was reported that Radiohead frontman Thom Yorke has announced a solo album. Speaking to a respected fansite (yes, there are some out there) Yorke said:

"I have been itching to do something like this for ages,... It was fun and quick to do. Inevitably it is more beats & electronics. But its songs. Stanley [Donwood - Radiohead's cover artist] did the cover. Yes its a record! No its not a radiohead record. As you know the band are now touring and writing new stuff and getting to a good space."

The album, titled, The Eraser, will be put out on UK label, XL, (home to the likes of the White Stripes, Tapes and Tapes, The Raconteurs, and Be Your Own Pet) and a date for it's release is still in the works.

Full details here at the NME.com

I'm personally pretty excited. Solo albums always are issues of debate, and controversy, but I feel like this will be a pretty successful venture. Who knows what this will influence in the future? I guess only time will tell. (dun dun duh).

Radiohead Official Site
XL Label Official Site
NME.com

Gold grills, a big wig, a bloody hand, and some hot man on man action

So I went to this concert the other night. It was good. A little band called the Yeah Yeah Yeahs played, and because they are pretty much in my top 10 favorite bands (Maps was the first song I learned on the guitar) it was an awesome show. I felt truly fufilled. However, I was also impressed by one of the opening bands. And so, to you, my adoring (yeah right) readers, I present, The Black Lips.

The Black Lips originate from Atlanta, Georgia, a refreshing change from the New York, UK, Seattle, and Texas scene that has been dominating the airwaves. Featuring a classic Lo-Fi sound, catchy lyrics, and stage presence like nobody's business, these boys seem prime to take a stand against rock monotony. Sounding a bit rock, a bit punk, a bit grunge-hippie, and a bit like the Beatles, you can't help but be drawn into the often raucous and inviting sound of The Black Lips. Their love of their music is evident in their live shows and is exciting to see in a world where commercial music seems a bit too prominent. In each account I have stumbled upon, one member has walked away bloody and exhausted, too involved in their sound to worry about their own health and safety. In the show I was present for alone, the drummer continued to play half the frighteningly energetic set with his hand dripping with blood, the lead singer began making out with the guitarist (with the gold grills) in the instrumental segment of one of their songs, and the frontman played two guitar solos with his teeth (who still does that?!). I will certainly be watching these boys to see where they end up. I think you should too.

The Black Lips' Label Site
The Black Lips' Myspace

I tried to break up a fight. It was awesome.

I have a final I need to study for so I'll make this short and sweet.

The Yeah Yeah Yeahs are amazing. Their live shows are just as brilliant as everyone says they are. If you ever get a chance to see them play, do it. Between the dancing, and the staring in awe, and the singing, I was blown away by the entire experience. All in all, a very good night.

Poor Liam

In a recent publication in Q magazine, Liam Gallagher of Oasis has admitted that the Arctic Monkeys make him feel awkward. Me, being the master of awkward, find this funny. Of course, not funny in a degrading way, more like a humanizing way. It seems as if Liam finally realizes that Oasis isn't as big as they once were (though in my mind, they're always the biggest band in the world. woo Oasis!)

On Alex Turner of the Arctic Monkeys: "I like him, I do, and he is definitely a bit of a genius lyricist, but he is still a kid...He was eight when 'Definitely Maybe' came out. What the fuck am I, a 38-year-old supposed to say to that? They make me feel awkward...What bothers me right now is that we are not the biggest band in the world any more. U2, The Stones even Coldplay are bigger than us."

I love Oasis.

Full details at The Fake DIY

Q Magazine Official Site

Regret

I love Radiohead.
I live in Hawaii this summer.

That being said, I am here to report my frustration at the news of Radiohead's first US tour since 2004. Full Details here.

Those living in the Tennessee or Chicago area better watch out. I'm going to be out for blood.

Radiohead Official site

Another observation. (and one that isn't rock!)

During my usual news rounds, I have run across the name of Gnarls Barkley too many times to ignore. So, last night, I finally took the time to research this artist whose been causing all the buzz. Turns out, it's actually two guys making the buzz. Namely, Danger Mouse and Cee-lo. Alright, alright, looks good so far. But how does the music sound? Brilliant, that's how it sounds. Mixing together their musical talents to produce something a little bit old (think Marvin Gaye-esqe), and a little bit new (beats that you can't help but feel), Gnarls Barkley certainly deserves the press and chart-topping success that they've received. They're new cd St. Elsewhere is out on May 9th, and so far, it's on constant rotation here at the scenester headquarters (a.k.a. my room). Each track is just as catchy as the last, and has been classified by my roommate (who is hard to please musically) as "fucking awesome". Check out their single "Crazy" which is out now, and buy the album on the 9th. You probably won't regret it.

Gnarls Barkley - Crazy

Gnarls Barkley Official Site
Danger Mouse Official Site
Cee-lo Official Site

I'm a wimp

Whenever I find a song that I've been searching for, especially one that has taken up many hours of possible study time, I find that I get, lets say, emotional.

Please say that I'm not the only one.

Case and Point:
-Take That - Back For Good (Pivotal point for Tim and Dawn on The Office. Watch it.)
-Yaz - Only You (I've been watching far too much of The Office.)
-Sia - Breathe Me (Ok, now I've just been watching too much TV in general)
-The Pixies - Where Is My Mind(Alright, now something different)
-Tom Vek - I Ain't Saying My Goodbyes
-Babyshambles - The Man Who Came To Stay
-Bishop Allen - Corazon
-Oasis - Who Put The Weight Of The World On My Shoulders
-New Order - Krafty
-Magic Numbers - Forever Lost

From the brilliant minds of Punahou School

So I have this friend. He's pretty cool. He and his friends made some videos during their free-time at school. It doesn't relate to music persay, but it made me laugh a lot.

His friend does also seem to have pretty respectable tastes in music (Kaiser Chiefs, Antony and the Johnsons, The Flaming Lips, etc.)

Enjoy.

"Turn it off, Turn me on."

I am still in awe after tonight's events. I'll just say two things:

1) Long time no see. How is everyone? School's unfortunately been keeping me away from this little endeavor. But don't worry cause I'm back for good baby.
2) Islands are my new favorite band. Nick Diamond (guitar, keyboards, vocals, crowd manipulation) and his crew of crazy boys are phenomenal. Full story to come (I am so back logged on this page.) To whet your appetite, I'll say this: Cute boys, clever lyrics, two violins, a viola, a bass clarinet, a clarinet, an oboe, stage presence, unlimited energy, lack of fear, complicated melodies, creative use of dynamics and rhythm, matching white outfits, and catchy hooks all add up to a day (cause I saw them twice in a day bitches!) I'll not soon forget.

Oh, and did I mention that there was also a "follow-the-leader"-type finale? Or how about the near riot/drum circle/mob that formed courtesy the band after the show?

Here's Islands' video for one of their most popular songs, "Rough Gem". Take it as a sample of the insane brilliance that is Islands.



I guess that was more than 2 things. Oh well. Deal.

Islands' Official Site

(Next on the adgenda: We Are Scientists - New Jersey - Tomorrow. frick yea.)

I'd tell it to the king, but I'm telling you instead.

Alright, it's about time for some Libertines news. That's right everyone, not just some Pete news, nor just some Carl news (whose new band I still need to profile. Note to self: topic for next entry - DPT), some Libertines news. Though there is no news of a reunion of any type, nor any new material, the fact that both Pete and Carl made headlines today is enough to merit Libertines status.

First off, Peter Doherty as been confirmed as a participant in the UK's Celebrity Soccer Six. Celebrity Soccer Six is tournament involving 160 celebrities in 12 teams. These teams will then compete as a precursor to the real World Cup. Though I would love to see Pete run around the field with the likes of Snow Patrol, Starsailor, Goldie Looking Chain, and (I'll be rooting for these boys) Kaiser Chiefs, I'd still be perfectly content with him on the sidelines as a manager.

When I think about it though, I feel that if he were playing, he might not be able to:
1) keep up with everyone else on the field.
2) make it through the first couple plays.

Full details at NME.com

On the Carl front, a recent statement from the Dirty Pretty Things man states that he would like to collaborate with former bandmate, Pete Doherty. He was reported to have said on the current state of Peter:

"It's just sad and I wish he would sort it out. I would really like to work with him again someday."

I think we would all like that day to come.

As soon as possible.

Please.

Full details at The Fake DIY

The Libertines - What Became of the Likely Lads

Babyshambles Official Site
Dirty Pretty Things Official Site

Hey SCENEsters

Real quick (cause I have to read Nietzsche. woo!) I come clean on my promise.

Cause I always do what I say.

(watch out)

To you, I present, The Cribs in "Hey Scenesters". (a partial influence on the title of this here blog)

The Cribs - Hey Scenesters (video)


Oh, and for all of you who (like me) attended the Arctic Monkeys' gig at Webster Hall last month, they were filming it for MTVU. Cool right. Check out the details at the Arctic Monkey's site, or MTVU

Those clever Spinto guys

The video for "Oh Mandy" by The Spinto Band, initially gives the impression of a poorly constructed student film, with more than a hint of pretention. A mosaic of clips basically illustrate the lyrics of the song, then appear almost randomly in the area behind the main/larger clip of focus. However, as the video ends, the true intentions of the clips are revealed, and the viewer is left thinking both: "What a damn clever video" and "What a damn good song".

Watch it here

Oh, and once again, check out the Spinto Band (I know I've written on them in the past, but I just bought their album (Nice and Nicely Done (2005)) and just can't get them out of my head.

The Spinto Band Official Site

The definition of anticipation

According to the Oxford English Dictionary, anticipation is "The action of looking forward to, expectation." To me however, the definition is Steinhardt transfer. Tomorrow is the day I was told to call in and ask my fate. The nerves are working overtime on this one. Wish me luck.

I also made my first cartoon today. I'll post it when i figure out how.

Stalling for time.

As I struggle to both edit the hundreds (94) of photos from the Cribs/Franz Ferdinand/Death Cab For Cutie concert, as well as maintain what little social contacts I do have, I'll leave you with some 'goodies' to keep you occupied. Enjoy.

First, because I was getting sick (and I like to use it for procrastination), some choice Demetri Martin (cause laughter is the best medication for anything.)

(or chocolate.)

(but I'm not giving you chocolate.)


You know it's true.


Cause Racism is always fun!

Next, I would have included the song that (in a very roundabout way) inspired the title of this here 'rant page'. But unfortunately, I cannot find a link to it anywhere, and I don't have a uploadable copy (darn you iTunes!). Oh well.

It's The Cribs' "Hey Scenester!" by the way.

And no, I still don't mean "Seamster". Stop asking. What is a seamster anyways?

Demetri Martin Official Site
The Cribs' Official Site
Voxtrot Official Site (I've been listening to them A LOT)

Comments

I've gotten a lot of complaints lately. I found the settings, and now anyone (and their mother) can leave a comment on the scenester page. Go crazy.

(I do like to hear what you think.)

I'm hypnotised.

It's been a while since I've posted a recommendation and the list has been growing at an almost unmanageable rate, so to you I present: Aberfeldy.

Don't let the openly graphic cover art fool you, this band is far easier to swallow. Following the likes of the Magic Numbers in the 60's sunshine music trend, Aberfeldy wins you over with angelic female background vocals, layered guitar melodies, and a synth. Hailing from Edinburgh, UK, (have you noticed a trend in my tastes yet?) this band claims to sound like "falling in love" and depending on your definition of love, might get pretty close (they bring to mind sunshine and warm summer days for me personally). Their track "Hypnotised" is constantly stuck in my head, and now that I've heard most of their first album (released in 2004), it surly won't be the only one banging around up there. If you don't trust my judgment, take into consideration the fact that they are currently signed by Babyshambles and Libertines indie label, Rough Trade (oh what I would give to work there...). Their next album is to be released in May '06, and I'll definitely be checking it out. If you like the Magic Numbers, or the 60's, or just plain feeling happy, test these guys out.

Aberfeldy - "Hypnotised"
Aberfeldy Official Site

I'm in love with the monkey

Monkey News everyone! If you've listened to the Ricky Gervais show podcast, then I have to warn you, it's not that kind of Monkey News. (Though I do recommend the podcast very much. It is hilarity in convenient electronic form.)



I actually am going to obsess over the return of one of my favorite shows (aside from Arrested Development and The Office), Love Monkey! This show basically depicts my perfect life (minus being a man), and thus the appeal. It also stars Tom Cavanagh, and the musical director is none other than Mr. Nic Harcourt from KCRW's "Morning Becomes Eclectic"! If that isn't enough to merit television genius status, I don't know what is.

The show depicts the life of one Tom Farrell, wonder-boy A&R rep. He's got the ear, and he's got the morals for the "biz", but (of course) he has some trouble in the romance department. Love Monkey follows Tom in his fall from corporate label rep, to his true home at a small indie label, representing the music as opposed to the money.

I couldn't think of a show more perfect for music fanatics like myself. It has humor, it has music (great, great music), it gives an insight into the business, and did I mention it has great music?

VH1 decided to pick the show up recently after numerous fan demands for it's return (it was on hiatus on CBS) and tonight will show the first 3 episodes back to back. New episodes will start up on the 18th for our viewing pleasure. Tune in with me, enjoy and bask in the brilliance that is Love Monkey.

Love Monkey Official Site
Ricky Gervais Official Site
Morning Becomes Eclectic Official Site

Oh, and by the way, blogger is wierd and published a couple of my newest posts a little ways down, check it out. (Sondre Lerche review (with numerous pictures, etc) and another. woo. I almost feel your excitement)

Look at these hipster/rappers

While analyzing the shows we had attended during the week, Banu and I proclaimed that we should form a rap group. How this would work out I'm not sure, however, that wasn't the end of it. She went on to propose that we sing not only rap, but Emo-Rap. This got me thinking (as these things usually do), how exactly would that sound. In this case, we'd have a couple of options:

1) Sing gangsta (with an "a" instead of an "er") rap and dress like emo kids. (the most likely alternative considering who we are)2) Sing emo songs quick enough to become a rap
3) Rap about emo topics (black tears, sorrow, bleeding hearts, etc) (now that I think about it, it's a bit like the previous option.)
4) Use emo samples in a rap song.
5) Use rap samples in an emo song.

With the current music trend being that of crossover artists, the emo-rap craze could likely be a possibility in the near future (see past post on crossover artists). The genre would work out quite well in today's world. Many kids I know listen to mainly emo music, with rap as a close second, or visa versa. This creates an ideal audience.

The issues that then arise however are that of it's practicality. Though in the music world today, experimental artists such as DJ Danger Mouse, are creating unique sounds by mixing artists that would normally be on completely different sides of the spectrum (namely The Beatles and Jay-z on The Grey Album), these artists are usually respected in the music world. Sad to say (or am I?), but Emo is not exactly the most respectable genre out there (You have to admit that Fall Out Boy gets a lot of strife). I guess untill these aspects are worked out, the world will be deprived of Emo-rap, and must suffice with Indie/hipster-rap instead.

Princess - Miss Adventures

Princess Official Site
DJ Danger Mouse Official Site
Fall Out Boy Official Site

Oh god, we're all in this together now.

I have conformed to the latest trend, and I enjoyed it. I enjoyed it and now I shiver with disgust at myself. What have I done you ask, to merit such a response? I cringe just thinking about it:

I've watched Disney Channel's "High School Musical".

Amid the gasps and those fainting in shock, let me explain myself. The movie was sent to me by my enthusiastic brother alongside a number of other (more tasteful) files (including Conan O'Brian's boy band spoof: Dudz A Plenti. Come over some time and we'll chill to the sweet sweet sounds of our favorite late night personality). At first I was hesitant, however, being someone who wants a foothold in the industry, I was curious as to the origins of one of the top selling records for the past couple weeks (it's ridiculous, I know.). So now for the verdict:

The movie itself was a much needed step up for those at the Disney channel. The plot, though simple and predictable (especially for someone over the age of 13) was quaint enough to draw you in for the whole of the show. The songs were also, dare I say it, catchy. I wouldn't advise you to run out and attribute to another week of the "High School Musical Soundtrack" at the top of the Billboard list (unless you truly want to), but the show is definitely worth checking out once (for education's sake). As a phenomenon, I still don't see the reasons for it's current fame (I see even less of a reason to call it the "new Grease"), but I can see why it might appeal to viewers of (almost) all ages.

Right, that's done. Don't worry, I won't stoop to that level anymore. (or will I???)

High School Musical Official Site
Villiage Voice article on the "High School Musical" craze

Sondre Lerche (Bowrey Ballroom, 4/06/06)

As an artist, Sondre Lerche possesses a rare talent. Lerche is the only performer I have ever come across, with the ability to bridge all age and taste barriers (young, old, from rock to rap we all love Sondre). After Thursday night however, this only scratches the surface of the reasons for my love of this Norwegian boy.

The night opened up with a set by Leona Naess that both set the mood perfectly for Sondre's set, as well as winning herself a number of new fans (me included). She seemed almost like Sondre's female counterpart, while incorporating vocals reminiscent of Norah Jones. The set however, lost a bit of air towards the end, especially after the shock of the first interest grabbing song.

After a long set change, (from 3 person acoustic setting to 4 piece band) Sondre was finally up. Expectations couldn't have been higher for the 'Pop-Lounge' (as he called it) singer from Norway. Opening with a solo song (just him and a guitar), the audience was automatically silenced as his almost inhuman vocals washed over us. I am still in shock over the ability for a voice like his to come from that body. To have a singer like him in front of us was enough to bring us to the brink of tears (I'm not even joking).



Following a brief introduction from Sondre, the Faces Down band came out to really bring the noise (by noise I mean the jazz beats). After rolling through favorites like "Days that are Over" and "Modern Nature" (the crowd sang the duet part) we thought that it couldn't get any better; that is, until Sondre said that because they were on their way to LA to record their next album, and they needed some practice, they were going to play us the entire new album (before it was ever recorded mind you!). Warning us of the long night ahead of us, we braced ourselves for the wonder, and he started up.



New album verdict: Amazing! It combines all the charm and brilliance of the first two albums, with the jazzy beats of the newest cut, adding some rock into the mix. Sondre can make anything sound good (case and point, he sang a song he had written years ago titled something like "Look at the Blood" (eeemmmooo) and it still sounded like a song I'd put on repeat for hours on end) and this set was no different.

The night only got better after the encore (after playing a 2 hour straight set, they definitely deserved a break) when, with the same amount of energy as they had when they began, they played even more of our old favorites, as well as taking a couple crowd requests. (who still does that! I love him just for that!)



Sondre Lerche Highlights (aside from the entire concert):
1) "Days that are Over"
2) "Everyone's Rooting for You"
3) The entire new album
4) His jokes
5) "Lulu Vise" (because it's in his native Norwegian tongue, AND about my hometown, Honolulu, Hawaii!)

All in all, great show, one of the best I've seen (and you trust me by now right?). Definitely will buy that new record when it hits shelves, and I will also continue to play his 3 releases on repeat every morning when I wake up. If you take any advice from me (ever), take this one and go check out Sondre Lerche, you won't be disappointed (unless you hate good music. Then I'm sorry)

Sondre Lerche - "Two Way Monologue"
Sondre Lerche - "Everyone's Rooting For You"

Leona Naess Official Site
Sondre Lerche Official Site

You're the Hipster Type.

I just saw the video for "Mirror Kisses" by The Cribs, and let me tell you something. I am in love once more. I forgot how amazing these boys were. For you enjoyment, I present, The Cribs:

The Cribs - Mirror Kisses (Video)

Repetition

Today as I walked down Astor Pl. I saw a trailer embellished with the word "Caravan". That in itself doesn't sound odd, however, the fact that the word "Caravan" was small, and hundreds of them covered every inch of the trailer, was. Why would this be necessary? I am almost positive that if it were only written on the trailer once we would all get the picture. This got me thinking however, about music that uses repetition. When is enough, enough? Is there ever enough? Yes. I'm pretty sure there is.

Repetition fun?
Clap Your Hands Say Yeah - Upon This Tidal Wave Of Young Blood
The Editors - Bullets (I originally hated the band because I thought this song was too repetitive. That changed fast.)
Hillary Duff - Beat of my Heart (Warning! Bad song alert!)



Oh, and as I was listening to Lamacq Live on Radio 1, Steve Lamacq recommended a new band that he found on his first run of Myspace. They were named WinterKids, and I liked them. The first thing that sprung into my head when I heard them was: "Bloc Party-ites", but after listening to them more, I realize that they are actually what would happen if Bloc Party were much more peppy and had multi-layered vocals (one of which being a woman). I've been listening to them so much that I think I'm walking the very thin line between barely tolerable and murder victim with my roommate. They've been stuck in my head for the past two days, so check them out. (I wish they had some downloadable songs though.)

WinterKids on Myspace
Bloc Party's Official Site

Oh my dear boy.

I have a feeling that this blog might become a Pete Doherty gossip page. Perhaps I should just make the full switch and call it "Petes-R-Us" and plaster the background with my favorite photos of the boy (I don't know where I'd even start with that one. Too many to choose from). If it ever comes to that, find me, slap me, and then stand there shaking your head in shame. That'll be the signal that I need to stop.

Well, as this boy doesn't seem to avoid media attention for even a day now (didn't I just read about him yesterday?) I have some new news on the antics of our favorite drugged up poet. Seems as if Pete has let slip some hint as to a union between Kate Moss and himself. Personally I hope he doesn't end up marrying this girl, and I think Morrissey has it right (sorta.). Maybe I'm just being an over-protective fan-girl (Oh god, I hope not). Full details here at The Fake DIY.

I do think it's funny how he has been reacting to all the recent media attention. First violence, now an overinflated head? Really now Peter, you know better than that. Would you really say that you're the new John Lennon?

Fake DIY Official Site

How these things turn out.

So, apparently I bore witness to musical history and didn't even know it. Funny how these things work out isn't it?

Maybe my crazy music obsession does pay off? (Though not in the friends category. What is this "social life" you speak of?)

'Kids with guns' is stuck in my head.

Tonight I fufilled a long time dream. No, I did not skydive. No, I did not meet Pete Doherty (But here's the latest news on my absolute favorite man. Oh Pete, what a shambles you are.). And no, I didn't finally get a job in the music industry (but we're still hoping on that one!). I did however see the Gorillaz performing Demon Days Live at the Apollo. Regarding this show, you can definitely believe the hype.

I had read about the show in a number of places during its run in Manchester, and when I found out that they were taking the act to New York, I jumped on it quicker than you can say "Had to run home from school to make the pre-sale time cause I know that if I wait for the general release I'll loose the tickets like I did the times before." In the end, everything was worth it for this show. Mix together lights, lasers, an exclusive animation, a full orchestra, numerous backup choirs, puppets, an awesome album, and Damon Albarn and you might get an idea of what Demon Days Live hits it's viewers with. The show was phenomenal. Though to be honest, I have never heard the full studio version of Demon Days, (I did really enjoy the singles, and I love Damon Albarn) I was still blown away by the performance. Everyone on stage had enough energy for the entire room (it was a good thing that the room had far more energy than was needed.) dancing to each song like it were the first. Damon also put on a good show (If you hadn't noticed, I mainly focused on him. Come on, he fronted Blur!) acting in a way that I can only describe as drunk on the music and wonder of it all (or alcohol).

Highlights:
1) Uh, being in the same room as Damon of course.
2) Feel Good Inc (amazingly performed. I literally couldn't help dancing in my seat)
3) Dennis Hopper performing the narrative piece. (I know, I was surprised too.)

Final Analysis: Amazing show. Truly phenomenal. Damon and the crew really delivered. I did think that the whole experience might have been better as a standing room show, or at least one not spread among 3 levels, but considering the situation, truly, truly top notch. I'll definitely be talking about this one for a while. Watch out!

(Oh, they were very strict about photos, and I sat on the aisle next to a guard so there are sadly no pictures...Sorry!)

Gorillaz - Dirty Harry (Live)
Gorillaz Official Site

What is the world coming to?

"Paranoia, paranoia, everybody's coming to get me."

Chill out people. It's just music.

Hard-Fi (Warsaw, 3/31)... (finally)

I need to stay on top of these things. At least this one isn't a full week late. Now, to Hard-Fi:

The night opened up brilliantly. I finally made it out to Brooklyn without getting lost once. In fact, I gave the directions to my companion this time around. With marble cake in hand (we made a pit stop for some sweets to fuel the night) we waited in the blue wash of the Warsaw awning for the doors to open and the night to truly begin.



The first band up (after a long wait outside, then an even longer one inside) was a band I had been curious about lately: The Comas. I had originally heard this band on a Paste Magazine music sampler given to me by my very good friend Heather. Lately, I have been going through my 10000 song library (spring cleaning) and just recently re-stumbled upon their single "The Science of Your Mind." (a happy coincidence if there ever were one). To a welcoming crowd, the band started up with none other than "The Science of Your Mind" and from the first note, we were all hooked. Weaving rough male and angelic female vocals together, The Comas create a unique sound that should push its way to the pinnacle of the indie genre. The live show itself was good, but didn't stand out as spectacular in the mind of one so overwhelmed by shows in the past month (see past posts). Talking to the band after the gig (as they tried to figure out their ride situation) I realized that they were also really nice people (sold they album to us for some loose change and some eye drops (Rachael)) and I have now made it a resolve to buy their new album as soon as possible. So go out, see them if you can, and definitely check out their album. They're sure to satisfy.



Next up was the band we had all been waiting for: Hard-Fi. In all honesty, I was a bit anxious about the quality of the show. I had heard many mixed reviews on the subject of their live show, and hoped I didn't end up attending one of their sub-par performances. Good thing I didn't. The show was phenomenal. Though awkward at times (at most times) Richard Archer possessed a stage presence that could only lead you to think one of two things:
1) This man knows how to put on a show. Their fame is truly deserved.
2) This man is on crack.
Though I don't really know the state of the man's inebriation, I can tell you that I could only think #1. All of us had high expectations for the show (can you say #1 album in the UK and double platinum record?)and in the end, Hard-Fi delivered with extra for the speculators. I really wish I wasn't dancing so much (I had my dancing shoes on and left my shame at the door) so that I could see the crowd behind me. Based on the general sway of the crowd, and the volume of those singing along, however, they were all having just as good of a time as I.

Highlights of the night:
-"Hard to Beat"
-"Stars of CCTV"
-Julie keeping the obnoxious Yorkshire carrot-top look-alikes and the large man with drinks away
-"Living for the Weekend"
-Oh, and did I mention meeting Richard Archer??? (He told me to buy a Melodica. Which he plays very well)



Final analysis: Brilliant show. Had more fun that I'd ever expect. Hard-Fi truly knows how to put on a concert.

The Comas - The Sience of Your Mind
Hard Fi - Stars of CCTV

The Comas' Official Site
Hard-Fi Official Site

Want some tickets?

So here's the dish. Due to a change in schedule, I have 2 tickets to the Josh Rouse concert on Friday. The seats are pretty nice, and I'm selling them for face value (at most). Give me an e-mail if you want a piece of this action. It's put on by Paste Magazine, so you know it's good.

I'm living for the weekend now

Just arrived back from the Hard-Fi concert. I think Rachael put it best when describing the show (to Richard Archer no less!) as "Brilliant". I don't think I've had that much fun at a show in a while. To be honest though, getting hit in the head 3 different times with 2 beer bottles and a large man's elbow did take away from the experience.

The fact that I later found, shook hands, took a picture, chatted, and got an autograph with Hard-Fi lead singer Richard Archer (as mentioned above) however, did cancel the negative out completely.

The set was also really fantastic. Top notch boys. Truly Brilliant. Review to come. Now, sleep.

Hard-Fi - Living for the Weekend

Onions are fun like Google.

The Onion writes clever stuff

Part 3 of 3!!!! (I've finally caught up!) (The Editors and Stellastarr*, March 28th, Warsaw...Brooklyn)

I hate Williamsburg. I decided this last night after arriving in Williamsburg for the Editors' concert at Warsaw. I'd always thought that I might like the place, but I was horribly wrong.

"Hipster capital! Cool! It'll be fun to observe! I'm there!"..."What is this? Rural Brooklyn infested with trendy hipsters? This is no place for an almost-scenester like me."

But for now, I'll put away my new eternally burning grudge against that forsaken town and move to lighter things. In fact, I'll move to the reason that I was in Williamsburg in the first place: The Editors and Stellastarr* gig.

Warsaw is a nice venue. It's quaint. For a venue, that's what it is: Quaint. It's got a room for the bar, a room for socializing and merch (in the case of a concert), and it has a room for the show. The best part about the venue however was the fact that there was no barrier between the stage and the crowd. We were literally right against the stage. This fact allowed for an intimacy that I have never felt before in prior barriered gigs.

Starting the show was The Mobius Band. They seemed alright at the time. A simple band; 3 guys, one guitar, one bass, one drum, a keyboard, and an electronic noisemaker. Their set however was a bit boring. Their songs were all slow, and the songs that did attempt to bring up the energy ended up sounding like just that: an attempt. I definitely see potential, however, there is still some major work to be done.



The next band up was one of the double headliners (though it was clear from the start that only one headliner really mattered): Stellastarr*. I've been following this band (ish) for a couple years now, but I was unsure of what to expect. I started listening to them while I was in an odd emo state (I admit, I tried to be emo at a time. I'm sorry) a couple years ago, and I only had vague recollections of the original album ("S/T." dark at parts, but also a lot of danceable tunes) and even fewer of their new album ("Harmonies for the Haunted". Dark. The title says it all). The band kicked it off with "In the Walls" off their first album, and with the hypnotizing lull of the guitar I was suddenly hit with a wave of nostalgia so strong, it occupied my conscious thoughts till the end of the set. The set however, was surprisingly unimpressive considering their road history (they've been around for a couple years now, you'd think they'd have perfected something). The frontman did seem like he had just done a line or two of coke before the show and that added some interest, but all in all, I was let down by a band that I had mediocre expectations for.




Then, finally, the band we'd all been waiting for took the stage. New York and British hipsters joined together to welcome The Editors to the show. For all the hype, I had some pretty high expectations for this show. Suffice it to say however, I was completely blown away by the Editors. From the first note to the very last, they carried with them an energy and rock star professionalism that placed them upon a pedestal only few bands have been allowed to grace in my mind. Each song sounded studio quality. That is, studio quality infused with an energy that only a live show by a truly phenomenal band could bring. Dancing like a fool, I forgave Williamsburg temporarily for the strife I was caused if they could bring me a band like this. Really a top notch band. My verdict: If you ever get a chance to see these boys play, jump on it (Thanks again Lauren! You're the source of a lot of my happiness), you won't be disappointed.

Oh and did I mention that the L-train sucks and shouldn't shut down when you need to get back to Manhattan at 12 am. (It took us 2 1/2 hours to get home from Warsaw.

Stellastarr* - My Coco
The Editors - Fingers In The Factory

Part 2 of 3 (Demetri Martin, March 26th)

This man is brilliant. I have never known any comedian to keep me laughing for their entire show. I think I am in love. No, I'm sure of it. For his one man show, "Dr. Earnest Parrot presents Demetri Martin", Demetri explored his P.H.E.A.L.S. through an almost seamless blend of slides, animation, song, dance, stories, puppets, and of course, stand-up. I don't want to give anything away (just see the damn show, it's really good) but the animation was GROUNDBREAKING. And the dancing blew my mind. I was literally a lifeless blob after the show. But then again, that could have been from the lack of sleep, the fact that it was 1:30 at night, and I hadn't eaten since 11:30 that morning. Either way, the show was great, Demetri is great, and now, I am great.

Here's a smattering of his comedic genius on the Daily Show. Enjoy. (bitches.)



Demetri Martin's Website

Ok part 1 of 3 (Arctic Monkeys, Webster Hall, March 25)

It's hard to describe what you feel when you finally see a band you've been following from nearly the start (Thanks Lauren!). Lets start at the beginning. Well not exactly the beginning. Let's bypass the hours of anxious preparation, the frozen line (partially my fault for arriving so early. I needed a good spot.) my friend being scouted for a D&G photo shoot, and the waiting in the venue for the show to finally start. Lets start with the Spinto Band.



Prior to the show, I had only heard a total of 4 songs by the Spinto Band. I admit it, I was unprepared. What I knew however, I liked a lot. I've ranted already about their music, so I'll move on to their live set. And let me tell you, what a live set it was. Six boys in a band couldn't have brought more energy unless they had obviously been taking crack-cocaine (Drugs are bad). From the first song to the last, the band brought an energy that completely made up for the problems with the volume of the vocals. Almost completely covered, both singers in the band bounced around like kids hopped up on sugar (Just say no kids. Just kidding. I'm a junkie) rising above the problems with the sound. The set was equally energetic, each song flowing into the next, a non-stop bombardment of peppy, pop/rock that was reflected in the dancing kids in the crowd. The set was only made better when the band came out with kazoos they had fixed to their heads in preparation for "Brown Boxes" (They threw a few into the crowd. My luck proved itself when one landed on me.). All in all, great set. I appreciated the energy, and it won me over as a fan.



Next up, the stage dimmed for the band we had all come out to see. The new "it" band, with a sound that proved that the hype was well deserved: The Arctic Monkeys. As the lights slowly came on, the boys stumbled out, awkward, and yet shrouded in what seemed like an epic aura. These boys were meant for greatness, and they new it. Picking up their instruments, they started their set in whirlwind fashion; no waiting, no hesitation, no questions asked. It was in a word, Brilliant. It was as if someone turned on their album but increased the musical energy tenfold. (I respect a band that sounds like the album. It proves to me that they don't need the technology to make them sound better.) Though toned down from what I had expected while transitioning between songs, their accuracy and spirit made up for it completely. Alex handled the crowd well, responding to obnoxious song requests and shouts of "Alex is Pretty!" with a subtly witty comment, or a gentlemanly statement. As much as I loved this band before, I love them much more now. The music was amazing, I can't say much else. Well, I can say that, true to recent form, the band tried out one of their new tunes on the New York crowd. In fact, it was so new, Alex forgot how it went halfway through, and had to start over (Matt just laughed). The song itself was true to the Arctic Monkey style that we've all come to know and love, and made me even more anxious for all that new material they say they have in reserve (I'm excited). Final analysis: The band was amazing (no mardy bums indeed <-Bad Arctic Monkeys pun. I'm really sorry) and I'm glad I caught them when they can still play intimate gigs.

Here's a fun song that was constantly requested during any and all down time during the Arctic Monkeys set (they never actually played it though):
Arctic Monkeys - Love Machine (Live)